Click on the pictures for more info on each release.
Top 5 records
1. Velvets 2nd
2. Suicide 1st
3. Bill Callahan, Sometimes I Wish..
4. Stranglers 1st
5. Kate Bush, The Kick Inside
Top 5 underrated NZ bands, past or present
1. The Puddle
2. The Subliminals
3. The Rip
4. Haunted Love
5. Psychic Maps
Top 5 NZ venues, past or present
1. Empire Tavern. Dunedin
2. Leigh Sawmill. Leigh
3. Chicks Hotel. Port Chalmers
4. Mighty Mighty. Wellington
5. The Burgundy Bar. Dunedin
Favorite Flying Nun singles, EPs or LPs
1. Subliminals, Crystal Chain
2. Sausage Records 4 Star, Wellington compilation
3. Nocturnal Projections, Understanding Another Year in Darkness
4. Scorched Earth Policy, Going Thru a Hole in the Back of Your Head
5. Bailter Space, Tanker
The Bats play the Sugerloaf Shakedown in Auckland's Kings Arms Tavern, May 22nd, 2011. The show was a fundraiser for the Christchurch music community. It took place only months after a catastrophic earthquake hit Christchurch, killing 181 people.
Photos by Ryan Leach.
Review by Ryan Leach
Although recorded quickly and on a miniscule budget,Boodle, Boodle, Boodle remains one of the great records of the early 1980s.
The album was recorded by The Clean and scene mavens Chris Knox and Doug Hood on Knox's Teac 4-track recorder; it would be Flying Nun's third release (and first EP). Bassist Robert Scott remembers the recording and mixing sessions well: "We just selected a group of songs we wanted to do and recorded them quickly. We were in a small, wooden hall—40 foot by 40 foot. The hall had a really nice and natural sound. We just set our equipment up like we were doing a gig. We recorded and mixed it all in two days (September 7 and 8, 1981)." (Leach, Razorcake #62)
Vocal duties on Boodle, Boodle, Boodle were handled democratically, with all members—guitarist David Kilgour, drummer Hamish Kilgour and Scott—singing lead on at least one track. As with all of The Clean's music, the tunes on Boodle are minimal; Hamish keeps a steady backbeat while Scott pounds out root eighth notes. The songs gain their strength through the group's incredible songwriting and David Kilgour's inventive guitar playing. These elements are taken to the extreme on "Point That Things Somewhere Else".
At 5:30, the song relentlessly employs Velvets' minimalism: David's guitar caroms out the speakers, coated with reverb and indebted to Lou Reed's playing ("What Goes On") throughout the instrumental break. Hamish's sing-speak vocals simply add to the droning effect of the song, sounding more like an instrument than a voice.
"Anything Could Happen" became a staple for The Clean. And for good reason. The track's lyrics are incredible—poetic yet ambiguous, leaving listeners the opportunity to construct their own interpretations: "Look for an answer in empty doorways/Talk to a dancer, said it's out on the highway".
Boodle, Boodle, Boodle sold in relatively large numbers, hitting number 4 in the New Zealand charts. It enabled Flying Nun to continue releasing records with much-needed capital. Boodle, Boodle, Boodle remains a highwater mark of New Zealand music.
One of New Zealand's ultimate attractions for scumbags is the killer sounds of Flying Nun Records. The country is completely isolated which can be a blessing at times. Yes, Flying Nun's artists--in the label's formative years (early 1980s)--drew influence from their swampy counterparts in America and the UK, but they did it with a style and humor all their own.
This photograph of David Kilgour, lead singer and guitarist of The Clean, was taken during a March 6th, 2011 performance at Auckland's Kings Arms music venue. The Clean is the band that kept Flying Nun in business early on and, I'd like to think, gives warm fuzzies to whomever is willing to give them a listen.